Two scholar/writers and an artist offer new views on on gender, race and sex role subversion in the Mary Shelley’s novel Frankenstein from 1817 and James Whale’s film Bride of Frankenstein from 1935.
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Mary Shelley's "Frankenstein, or a Modern Prometheus" is utilized as the score for this work. Sounds mentioned in the novel are performed by Foley artists/musicians in the sequence they occur in the novel. Voices from the novel and supplementary texts are presented through multichannel sound projection.
Written & directed by Tony Brewer for the National Audio Theater Festivals. An original tale of zombies, a runaway pandemic, a community radio station, and more zombies! Winner HEAR NOW Best of Fest Award 2016.